The Movie Show

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G20 has been and gone. Leaving its remnants in law enforcers weaving traffic, swooping cars and screening pedestrians in obscure back streets near the Yland. For a week this sector took an erratic pulse: one of its main arterial roads became a secured and restricted zone with intermittent road closures causing deeply banked traffic in a high activity transport route.

This is not the panoramic landscape vista or glancing social space of a shopping mall, It’s an urban phenomenon so ubiquitous as to be a category of visual environment all its own. A screen world, seated, air-conditioned, a kind of short before the program or after as a credit roll conversation.

This area we’re calling the Yland is experienced by most people as a matter of minutes. That is, it’s more a matter of when you’re in it than where you are in it; before the plot begins in a movie or afterwards as it’s soaking in. The Yland is a grey area in need of a story, but what kind of a story? Within the sheer physical reality of traffic, it’s force and directional violence, we are seated and have the time frame, just looking for a good plot.

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